A very accurate description of the film’s underlying subject matter:
Okay, this is my first blog as we begin to launch our newly renovated www.taoslandandfilm.com website. It’s only been about ten years or so since I touched the website. So, this site is about to go up into the public realm here hopefully in the next 24 hours thanks to the diligent efforts of our web designer/master Paul Gutches.
First things first, CALLERS is a film I’ve been working on for the last four years. There is a long story to how it came to be and the struggles and controversies to getting it completed. But, I’d like to invite all of you reading this to come to the premiere at the Santa Fe Film Festival this coming Friday Oct. 21st @ 8:30pm at the CENTER FOR THE CONTEMPORARY ARTS (CCA)
1050 Old Pecos Trail, Santa Fe, NM 87505 505/982-1338. For those not familiar with the area, the CCA is located right behind the Children’s Museum. I’ll be there doing a Q&A afterwards…
Here’s a link to our page on the festival website http://www.santafefilmfestival.com/callers/.
Here’s the ticket ordering information:
Tickets to the 12th Annual Santa Fe Film Festival go on sale Thursday, October 13, 2011 @ Tickets Santa Fe
TICKET PRICES FOR ALL SANTA FE FILM FESTIVAL SCREENINGS*:
GENERAL ADMISSION $15 General Admission Multipak – Buy 6 Tickets for the price of 5 ($75) STUDENT (WITH ID) $10
BE SURE TO GET TICKETS TO THAT MUST SEE FILM!
3 Easy Ways to Buy Tickets
Call (505) 988-1234
Our box office representatives are happy to assist you.
Stop By The Lensic
211 W. San Francisco St., Santa Fe, NM
Buy Online at TicketsSantaFe.org
Check back this weekend for more screening and event listings.
Mark your calendar for
opening night and our kick-off party at Cowgirl BBQ
THURSDAY, OCTOBER 20, 2011! Everyone’s welcome!
So, let’s get back to some rambling diatribes about CALLERS…
“Nobody believes William Pierce. Not the cops, not the shrinks, not even his own mother. And why should they? You see, Will has a direct hotline to the afterworld: his dead fiancée’s cell phone. Here’s the problem: the dead talk only to him.
In this dark romantic comedy, Will straddles this world and the next, jumping through hurdles to appease those who have crossed over, in an attempt to exonerate himself from a murder charge, prove his sanity, and find closure with his fiancée. Yes, she’s dead, but she’ll go to any lengths to make their relationship work, including asking Will to do the unthinkable: join her on the other side.”
And, here’s the bio I created for the festival. I can’t help myself when I write these things…
…is the owner of Taos Land & Film Co. which produces feature films through the development of land in Taos, New Mexico. As a filmmaker Jackson’s projects cover a gamut of genres and issues. He considers himself lucky to have escaped the grasp of Hollywood’s soul-sucking demons and found a means of creating films which are both upsetting and untainted by the crass commercial world.
His first mentors in the movie business were Stanley Kramer who he worked with at the end of his career through an American Film Institute (AFI) Internship on Kramer’s “The Trial of Julius and Ethel Rosenberg. Robert Wise then assisted Jackson as his executive producer on his adaptation of Flannery O’Connor’s short story, GOOD COUNTRY PEOPLE, which was funded through an AFI Independent Filmmaker’s Grant. David Jauss of the Vermont College of Fine Arts had this to say about GOOD COUNTRY PEOPLE, “I think it’s terrific—one of the best adaptations of a short story I’ve seen….it leads to some interesting conversations about storytelling in film vs. prose.”
Jackson then went on to spend a decade or so of hedonistic living in Venice Beach, California in an effort to gain some material for his life as an artist. “I think you have to have some decadence and hardships in your life to discover some purpose in your work as an artist” states Jackson.
He finally clawed his way out of his ‘Life Experiences’ phase through working as public relations director for author John Gray (“Men Are From Mars. Women Are From Venice”) where he plunged John into places like San Quentin Prison to hone the depth of his processes with murders and rapists and other various rejects of American society.
At that point Jackson decided it was time to get sober and get back to his filmmaking career and he spent the next five years working as a freelance journalist for Larry Flynt researching and writing exposes’ about the corruption within the federal government. This led to his feature length documentary, DEATH & TAXES, the story of North Dakota farmer Gordon Kahl and his life and death struggle with the IRS.
As the fertile land of Taos, New Mexico was funding Jackson’s film efforts, he decided it was time to give back some of this good fortune to other filmmakers and he started the Taos Land Grant Award with Taos Talking Pictures Festival (RIP) which involved his donating five acres of land in Taos each year to the most innovative film director with a feature film entered in that festival.
Next up was his narrative dark comedy delving into the emerging psychosis of POSTAL WORKER. HBO liked it enough to run it for eighteen months while Jackson discovered there were real life postal workers out there just like the ones he portrayed in his film.
Then came a late in life “Domestic Bliss” era where Jackson spawned a family and settled down to raise two children and become trained in the spiritual arts by his guru i.e. wife.
And, that brings us up to CALLERS. This movie has a very long complicated and controversial story behind it and if you’re interested in hearing about it, come on out to it’s World Premiere at the Santa Fe Film Festival at 8:30pm Friday Oct. 21st at the Cultural Center for the Arts where he’ll be answering questions before and after the screening.
Here’s our CALLERS trailer