Over the past several years I’ve received a number of direct email inquiries about purchasing copies of my films. I’ve also noticed the continued interest on YouTube and Google Video in some of my older accomplishments, such as Death & Taxes (the story of Gordon Kahl), my film adaptation of Flannery O’Connor’s Good Country People, Cattlegate (documentary on the Michigan PBB disaster), and The Pigs Vs. The Freaks. And I should also mention the relatively more recent Postal Worker, starring Brad Garrett (of Everybody Loves Raymond fame) which played on HBO. So I had my web design guy implement a nice straightforward shopping cart for the new site where people can now acquire the work as they wish. It’s brand new, so let us know if you have any problems. Everything is available on DVD, but I also have a limited supply of vintage VHS copies of some titles for the film collectors out there, brand new in the unopened packaging.
As an added touch, and for a nominal extra cost, I’ve decided to offer autographed certificates of authenticity as an option with each film, to guarantee a quality print from the original source file.
This is one of the important ways indy filmmakers like myself recoup the high costs of their craft and help make future films possible. So I hope you’ll stop by and have a look around at the exciting new projects that are in pre and post-production, and maybe even purchase a film or two.
Damn it! I’m trying to get blogging going. We’re moving towards launching our Kickstarter campaign to fund our next film, EVERYTHING BEAUTIFUL IS FAR AWAY. Okay, so we’re trying to make this filmmaking experience interactive. Meaning, we’re letting people both observe and participate in our process of making a movie. [Speaking of interaction, please vote for your favorite Callers, movie poster, to help us decide.]
Just to let you know, one of my big concerns in life is closing what I call the loop in independent filmmaking. Meaning, I’ve worked for many years making films, both experimental and more traditional feature films and I know how to make movies. I’ve even figured out ways to fund my own films through developing land in Taos, NM. But, to be truthful I haven’t found a way to consistently get Read the rest of this entry